Adrian Shergolds Cordelia poses an intriguing premise wrapped in a strikingly atmospheric and claustrophobic presentation. Your email address will not be published. Lawson's quote has been included below. Probably one of the best fight scenes in the boxing film world. We wont be able to verify your ticket today, but its great to know for the future. There is a downstairs neighbor, played by Michael Gambon, whose weird vibe is not licentious. Antonia Campbell-Hughes plays two women: Cordelia, an ailing actress, and her sexier sister, who bunks off near the start of the film to have a raunchy weekend in Bruges. The film received seven Genie Award nominations at the 1st Genie Awards in 1980. Cordelia is more a mood piecea catastrophic bad mood piece. Cordelia is released nationwide on 23rd October 2020. But Cornelia puts a stop to . I just hate when filmmakers fixate on a premise and try to build an entire movie around it. A woman is shown topless in a non-sexual context and there is forceful kissing without consent and pushing and grappling in a sexual context. By its conclusion, the film offers no easy answers, as the ending will undoubtedly provoke conversation. There, the evil entity of Smile. This started out as a moody, tense piece & maintained it's slow- building hold for the majority of the film. And Cordelia herself is a pretty chilly customer, albeit hardly without good reason. Remember the movie poster of a woman pushing a man up against a wall, pressing into his back with her mouth on his ear? But Cordelia Scaife May . The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. Cordlia is a 1980 Canadian French language film directed and written by Jean Beaudin. When her twin leaves for a weekend (with bf Joel Fry) Campbell Hughes gets to know the flirtatious Flynn, but also attracts a sinister stalker (could it BE Flynn?) Once again, this high point amounts to little and feels rather inconsequential. Antonia Campbell-Hughes character grates from virtually the first scene - shes a slow-blinking, slow-masticating dreamer who can't be imagined eating coco pops or ever, ever making a joke. SPOILER ALERT: This story contains major spoilers for "Tr.". How much was actually shown? The lead protagonist bares the scars of this and tries to build her life back from this tragedy. Franks utterly charming, and its immediately evident that he has eyes for Cordelia. Common Sense is a nonprofit organization. She was convinced he was the caller but after she stabs him, she get the call and. Cordelia is one of those films that you watch and instantly want to watch again to go back and spot all of the little clues that you missed the first time around. Doesnt that cello drive you mad? her flatmate asks, motioning to the sound emerging from a neighboring apartment. Like Cordelia, it starts off as unassuming, but it becomes increasingly unpredictable and intriguing as she carries on. But before long, it seems that somethings a bit off. Cordelia, we swiftly infer, needs a hug. Directed with strength and conviction, the movies shot in 35mm with slow, subtle camera movements that focus on Campbell-Hughes and her every cautious movement. This article discusses the ending of the Netflix film Coven of Sisters, so it will contain major spoilers. Co-written by director Adrian Shergold and Campbell-Hughes, Cordelia follows a troubled woman (Antonia Campbell-Hughes) suffering from a traumatic event that derailed her life. At first, Rosemary resists, but when she hears the baby cry, her mothering instincts kick in, and she rocks the cradle. Privacy Policy At the precipice of a new chapter of her life, Cordelia finds herself questioning everything when someone starts taunting her with prank calls. We want to hear what you have to say but need to verify your account. That ambience is skillfully accented by haunting oboe music in the background. And the way it doesnt stay tethered is what gives the movie its distinctive quality. Published by at 14 Marta, 2021. Why is that important? She looks up Sabine on the internet, and incidentally, Taraud happens to meet Sabine and greets her with a kiss. Doesnt that cello drive you mad? her flatmate asks, motioning to the sound emerging from a neighboring apartment. Once again, this high point amounts to little and feels rather inconsequential. Antonia Campbell-Hughes is annoying while Johnny Flynn's charisma is wasted in this 'psychological thriller', Joy for Pippa and James Matthews as their seven-month-old daughter is christened at village church, Earl Spencer shares touching childhood photo of his late mother from his personal archives, Prince and Princess of Wales host Crown Prince Haakon and Crown Princess Mette-Marit of Norway at Windsor Castle. We won't share this comment without your permission. And if ever your phone rings and rings, realise that cutting its power source should fix the problem in a jiffy. But when they try to exit the labyrinth-like. Cinemark She develops an increasingly disturbing relationship with her neighbor, Frank (Johnny Flynn), during a weekend home alone. In "Cordelia," a thriller directed by Adrian Shergold from a script by Shergold and the film's lead actress, Antonia Campbell-Hughes, the title character, who shares a home with her twin sister Caroline (also played by Campbell-Hughes), lives in a flat whose textured green wall coverings are pretty much the exact opposite of welcoming. There is an aspect of the unreliable narrator in the movie. Others may love it. Discuss the violence in the film. How did it affect you? Meanwhile, a bright ball of white light drifts . She struggles to make even the slightest small-talk, her eyes almost hidden behind her bob of straight blonde hair. While shes preparing for her morning routine, we hear the somber strings of a cello over the soundtrack. While the narrative leaves a lot to be desired, the film as a whole is quite engaging. Antonia Campbell-Hughes plays two women: Cordelia, an ailing actress, and her sexier sister, who bunks off near the start of the film to have a raunchy weekend in Bruges. At one point, Cordelia asks, Am I safe with you, Frank? To which he replies, Am I safe with you?. When Rose decides to face her trauma, she locks herself in the house where she saw her mother die, which is now falling to pieces after being abandoned for decades. Does exposure to violent media desensitize kids to violence. As she hits the proverbial wall, so does the film. Coming Soon. and the The picture seemed to have split the difference between being shamelessly derivative and willfully obscure. Despite all the potential and talent evident in this project, Cordelia doesnt commit enough to its horror aesthetic to get the most out of its premise. Shes one of a long line of drips in scary films who just dont know whats good for them: when she worries that someones in her flat, she turns the lights off, not on, and when the phone starts ringing and ringing endlessly, it takes her half the film to realise that she can simply disconnect it. And they have some excellent moments down in the London Underground, whose potential for horror is often mishandled by film-makers but works well here, especially at the very beginning. Perhaps this film doesnt entirely work all the way through, but it is a shard of malevolence that jabs into your skin. But when the ending robs the consequences of everything the plot has been building up to and their subsequent impact, the final impression is underwhelming, to say the least. Just confirm how you got your ticket. Later that morning they find a draft of a furniture and decide to finish making it. During their meeting, Frank receives a call and suddenly exits the pub from the back, asking Cordelia to accompany him. The movie seems to be about how he is reduced to humility and humanity--or maybe that's just a trick on him. Families can talk about the portrayal of trauma and related mental health issues in Cordelia. Sometimes its just enough to have the wallpaper closing in. At least, that is what we perceive through Cordelias eyes. Cordelia (Campbell-Hughes) is a fragile woman who lives in a basement apartment with her twin sister, Caroline (Campbell-Hughes). Earnest and sincere acting by Antonia Campbell-Hughes and Johnny Flynn (along with name-dropping cameos from Michael Gambon, Alun Armstrong, and Joel Fry) cannot buoy this vacuous mish-mash of tension tropes posing as psychological suspense. Shes helped along the way to madness by her upstairs neighbour Frank (Johnny Flynn), a jobbing cellist with pillowy lips and a discordant geezer accent. Caroline serves as Cordelias caregiver following a past incident that dictates her every motion. Read his answers to our Movie Love Questionnaire here. Introduced through an ominous nightmare that foreshadows her fear of the underground, Cordelia instantly becomes a sympathetic presence and an enigma we want to uncover. But Cordelias dilemma is not stoked by the ogling eyes of men, as it was in the 60s film. You can help us help kids by But, when it reaches its seemingly inevitable conclusion, it retracts and leaves viewers in the dark. However, as these answers are revealed a hint of the macabre is laced into her performance, making her more and more enthralling to watch. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. In her office, Alison searches her phone when Richard arrives and gives her the contact information for Sabine Louseau, the Chief of Staff at Vander Meer. In Cordelia, a thriller directed by Adrian Shergold from a script by Shergold and the films lead actress, Antonia Campbell-Hughes, the title character, who shares a home with her twin sister Caroline (also played by Campbell-Hughes), lives in a flat whose textured green wall coverings are pretty much the exact opposite of welcoming. The film builds on the uncertainty and promise of an explosive finale. Yeah I didn't hate it but it wasn't amazing. Both are moody psychological thrillers but I have no idea how this has a lower rating. As a result, Cordelias encounters with others are punctuated with awkwardness. A psycho-sexual powerplay between two damaged souls? In some ways, it's a riff on Polanski's. Coming Soon, Regal A fractured thriller that has a tightly wound atmosphere, but a slightly looser grip on its plot, this is a movie of two parts that only half succeeds. The ending offers no resolution and no clarity as to what Cordelia and Frank are to each other. Common Sense and other associated names and logos are trademarks of Common Sense Media, a 501(c)(3) nonprofit organization (FEIN: 41-2024986). How realistic did it seem? However, the stroke causes him losing parts of his memory and no longer ascertaining the nature of his relationships with people around him. With her twin sister away for the weekend, Cordelia is left alone and overcome with paranoia. Cordelia doesnt look as if she should be alone, and also, yes, this set-up is very much like that of Roman Polanskis 1965 catastrophic bad mood piece Repulsion.. John Koestler's kids are central to why some still want the Knowing ending explained. And Frank seems nice enough, but after he takes Cordelia to a weirdly deserted bar and he has to step out for some reason and she sees creep-shoot photos of herself and Carolineor is it just her? The dramatic thriller is filled with ambiguity, both in character motives and the overall tone. suggesting a diversity update. Cinemark In the sequel, we will see her prove her innocence and get the needed . Parents need to know that Cordelia is a British thriller with adult themes, violent scenes, and strong language. In some ways, its a riff on Polanskis Repulsion, with the story of a lonely young woman beginning to get unmoored from unreality. Something happened to her 12 years ago that shed rather not talk about, and the film charts her descent over a weekend from almost-okay to screamingly not. Bad plot without clear story line !!! HBOs Rain Dogs Finds Humor, Despair in the Working-Class Mum at its Center, Berlinale Highlights, Part Three: Hummingbirds, Concrete Valley, Afire, The Oneness of All Things: On Sofia Alaouis Animalia, New York International Childrens Film Festival Opens Window to the World. Campbell-Hughes plays Cordelia, a troubled, damaged soul who is only just recovering after some unnamed trauma; she is an actor rehearsing a play and comes to stay in a creepy London mansion flat occupied by her twin sister Caroline (also played by Campbell-Hughes) and Carolines boyfriend Matt (Joel Fry); they leave her alone there. She dreams of being a film festival programmer and is working her way towards that goal by consuming a concerning number of films every week. The manipulation of an opportunist creeper? This was completely all over the place, pointless, awful and had no rationale included anywhere. Director Hirokazu Koreeda has returned with a Korean-language film, including an ensemble cast of incredible actors. From the first scene, the film builds upon the uncertainty and promise of an explosive finale. This film premiered in England in 2019, and those inclined to historical math can infer that maybe Cordelia was a survivor of the London Underground bombing now called the 7/7 attacks in 2005. The movie opens in the London Underground, and an uncomfortable interaction between Cordelia and a blind man that culminates with Cordelia moving with dispatch through the car. Theres a dark shadow hanging over the titular protagonists past, and as events grow stranger she slowly starts to fray at the seams until what is and isnt real becomes indistinguishable. We dont find out exactly what happened. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Shot well, good acting and the 1 star review is right, it does lose its way but there's absolutely no way this is a 1 star film. Regal That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. This action offends the conservative villagers. Manage Settings Cordelia is a puzzle that feels incomplete. "Doesn't that cello drive you mad?" her flatmate asks, motioning to the sound emerging from a neighboring apartment. As usual, the mother tries to have Cordelia talk to her father. AND struggles mentally with a recent trauma she's still recovering from. Bit by bit, the atmosphere is filled with tension and suspense as Cordelia grapples with her mental fortitude in the face of uncertain danger.
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